…what nobody seems to understand is that love can only be one-sided, that no other love exists, that in any other form it is not love. If it involves less than total giving, it is not love. It is impotent; for the moment it is nothing.
—
Andrei Tarkovsky
20 MOVIES WHICH FEATURE BEAUTIFUL ARCHITECTURE
Part # 1: HOUSES
The purpose of this blog has always been to explore, through film, buildings that we may not have the chance to visit in person. With many of us stuck at home right now, that kind of cinematic escape feels more appealing than ever, so here’s a bumper list of some of my all-time favourite residences in movies.
1. I AM LOVE (2009) A Jill Sander-clad Tilda Swinton is the matriach of a wealthy Milanese family, living in Piero Portaluppi’s 1935 Villa Necchi.
2. A SINGLE MAN (2009) Architectural enthusiast Tom Ford teams up with a Mad Men production designer, and casts John Lautner’s 1949 Schaffer Residence in a starring role.
3.
COLUMBUS (2017) Along with several other Modernist icons, this sylish indie beautifully showcases Eero Saarinen’s Miller House.
4. CONTEMPT (1965) Adalberto Libera’s Casa Malaparte stars as the island home of Jack Palance’s sleazy movie producer, and the venue for his seduction of Brigitte Bardot’s Camille.
5.
BEGINNERS (2010) Neutra’s Lovell Health House (which also appears as the home of Pierce Patchett in
LA CONFIDENTIAL (1997)) is here cast as a much-loved family residence, a role rarely assigned to modern architecture in films.
6. FRACTURE (2007) Peter Tolkin’s Sherman Residence stars alongside Ryan Gosling and Anthony Hopkins in this legal cat-and-mouse tale.
7. THE BIG LEBOWSKI (1998) Modernist architect John Lautner provides the villian’s Lair: Jackie Treehorn lives in the 1969 Sheats-Goldstein Residence.
8. THE GIFT (2015) This engaging twist on the home invasion genre unfolds almost entirely within David Clark’s Mid Century Sherman Oaks House.
9. BLADERUNNER (1982) Frank Lloyd Wright’s 1924 Ennis House provides the exteriors for Deckard’s apartment, and its Mayan-inspired blocks were used as a design cue for many other elements of the production.
10.
NORTH BY NORTHWEST (1968) The Modernist Vandamm house remains one of cinema’s most iconic villain’s lairs. It was actually an elaborate set, designed to resemble the work of Frank Lloyd Wright, whose style Hitchcock wanted to evoke, but whose fee he could not afford.
12. BOTTLE ROCKET (1996) In Wes Anderson’s first feature, “rich kid” Bob Mapplethorpe lives in Frank Lloyd Wright’s 1958 Gillins House.
13. GHOSTWRITER /THE GHOST (2010) The contemporary residence where this atmospheric thriller takes place was actually not a house, but a set, built amongst sand dunes.
14. FERRIS BEULLER’S DAY OFF (1987) Cameron lives in the A. James Speyer- designed Ben Rose House, built in 1953. The pavilion was added in the 70′s as a showcase for the actual owner’s sports car collection.
15. THE ICE STORM (1996) The Carver family’s 1970′s glass and steel residence is of the Philip Johnson knock-off variety, but still offers beautiful views through plate glass to surrounding woodland.
16. MON ONCLE (1958) In this, as in several of Jaques Tati’s films, modern architecture is beautifully showcased, yet simultaneously cast as the butt of the joke.
17. MY NEIGHBOUR TOTORO (1988) The first time i saw this, I coveted the idyllic Japanese country house as much as any ‘real’ building i’d seen on celluloid, with its adjacent bathhouse and study opening into the garden.
18. EXHIBITION (2013) The story of two artists’ relationship with their Modernist London townhouse, this beautifully-shot film is striking in its austerity, minimalism and restrained pace.
19. PARASITE (2019) A minimalist hilltop mansion in Seoul becomes a vessel for a cinematic exploration of social inequality.
20. DIAMONDS ARE FOREVER (1971) Reminiscent of a early-Bond Ken Adam set, John Lautner’s Elrod House provides the venue for some acrobatic vengeance from scantily-clad villains Bambi and Thumper. Photo: Casa Malaparte by Francois Halard
MOVIES WITH A MINIMALIST AESTHETIC
My mood is easily impacted by what I’m watching or reading, and I’ll often choose a film based purely on the kind of spaces I want to virtually inhabit for a couple of hours. Aesthetically, minimalism tends to make me feel calmer, and some of the films below have that effect (even when the nature of their subject matter is just the opposite…)
1. GATTACA (1997) This futuristic world is assembled from iconic elements of California’s architectural past - the characters glide down minimalist roadways in electrified Citroens and inhabit monumental Brutalist, Futurist or International Style structures - utilised selectively to reflect the film’s thematic world of authoritarianism, social engineering, and antiseptic perfectionism.
2. AMERICAN PSYCHO (2000) Minimalism is rare in an 80′s-set movie, and here it’s intended to reflect the obsessive narcissism (and inscrutable facade) of a homicidal maniac. Toronto stands in for Manhattan, and Mies Van Der Rohe’s Toronto–Dominion Centre features as an apartment building coveted by the monochrome-loving psychopath.
3. THE GIRLFRIEND EXPERIENCE (2015-2017) This TV series
has a distinctive aesthetic and a love of minimalist architecture and fashion- especially where these can be used to represent chilly and impersonal beauty. Its glass towers and sparse interiors can feel over-stylised, but they do embody an antiseptic elegance which is in line with the show’s themes. Even though the second series features more striking architecture,
Series 1 is more effective, because Riley Keough’s great performance provides a counterpoint to the visual austerity.
4. INTERIORS (1978) Unlike most Woody Allen films, production design plays an essential thematic and narrative role here. There may be nothing uplifting in the bleak, subdued tale of a waspish interior designer and her slowly imploding family, but the cool, sparse, perfectionism of the world she has constructed is nonetheless compelling (and inspiring).
5. ENEMY (2013) In this wilfully cryptic but stylish film, Denis Villeneuve created an ethereal and obliquely sinister Toronto full of deserted apartment complexes and inhospitable brutalism: a hazy, empty, dream city presided over by a giant wraith-like spider.
6. THE PHANTOM THREAD (2018) Although Woodcock’s dresses are elaborate, the interiors and overall feel of the film are spare and meticulous, especially within the Georgian townhouse where much of it takes place. This atmosphere is accentuated by the slow, considered, nature of the performances by Vicky Krieps and Daniel Day‑Lewis.
7. PLAYTIME (1967) Jaques Tati poked fun at Modern architecture, but depicted it onscreen more beautifully than perhaps any other filmmaker has. This classic comedy might be slow-moving and subtle by contemporary standards, but it definitely rewards our patience.
8. MOON (2009) Movies set in space often favour an aesthetic of restrained Modernism. This lean and stylish thriller (from the son of Ziggy Stardust himself) has a particularly appealing, understated look.
9. 2001: A SPACE ODYSSEY (1968) You can’t get much more minimalist than the monolith. And in a particularly Kubrickian take on product placement, major 1960′s manufacturers and furniture designers were invited to create projected versions of how their products might look decades later in the year 2001. Obviously, pretty much everyone thought ‘Less is More’ would be the look of the future.
10. MANHATTAN (1977) The neuroses of 1970′s NY intellectuals plays out against an uncluttered monochrome backdrop of low-key interiors and spectacular urban architecture. All of the female characters - Meryl Streep’s especially - are icons of understated style.
11. BEGINNERS (2010) Neutra’s Lovell Health House evades it’s ‘villain’s lair’ typecasting to a portray a much-loved family home, in perfect complement to this film’s soft, minimal feel.
12.
ARCHIPELAGO (2010) The only movie on this list whose action is even more sparse than its aesthetic. This is director Joanna Hogg’s trademark - visually beautiful, but incredibly slow and understated dramas. Here, Tom Hiddleston and co. are on a rancorous family holiday in the Isles of Scilly. (In the later
EXHIBITION (2013), they’re in a Modernist London townhouse).
13. ALIEN (1979) Though usually associated with H R Giger’s elaborately beautiful alien set-pieces, to me this movie also has a great soft minimalist vibe, from the muted futurism of the ship’s living spaces, to Sigourney Weaver’s white cotton singlet and knickers combo.
14. PANIC ROOM (2002) I’ve always loved the atmosphere of ‘moving in’ films: acres of empty wooden floors, bare walls, and stacked boxes. This is the ultimate, as Jodie Foster and a pre-teen Kristen Stewart relocate to the gloomy beauty of the sparsest Upper West Side ‘Townstone’ imaginable.
15. SINGLE WHITE FEMALE (1992) The overall aesthetic of this, in terms of both fashion and architecture, is a kind of pared-back 90′s ‘Atelier Chic’. (Was it really customary in the ‘90′s to specify your skin colour in a roommate ad though?!)
16. HEADHUNTERS (2012) In this Norwegian thriller, the protagonist lives in a Modernist house, the muted interiors of which were presumably chosen by his gallery-owner wife, who styles herself in an equally chic, understated manner. This serene aesthetic proves to be totally at odds with the gory and chaotic action which unfolds.
17. BASIC INSTINCT (1992) One in a series of Sharon Stone films which were shockers from a critical standpoint (
SLIVER, anyone?) but which had an appealing, pared-back look - sort of Alfred Hitchcock meets 90′s minimalism, and which starred a super chic, super brainy Stone as a kind of R rated Grace Kelly.
18. Unembellished, ‘futuristic’ Modernism is often a popular choice in sci fi movies. It’s been done with varying degrees of success - always more effective when the aesthetic feels like a considered and original part of the film’s world, rather than just derivative visual shorthand for ‘the future’. Some additional examples to those above include:
EX MACHINA (2014), MINORITY REPORT (2002), SOLARIS (1976), TRON LEGACY (2010). (Images: York University, Toronto
by Vik Pahwa (The Girlfriend Experience S2), Still from Interiors, 1978.)
20 GREAT FILMS FOR A CINEMATIC CITY BREAK (PART #2)
Given that in-person trips are not an option right now, these are our chance to take a cinematic urban holiday. The films below are those that missed out on
PART #1 of this list, in many cases because they offer a slightly darker urban experience.
1. ROME:
THE TALENTED MR RIPLEY (1999) This film steeps us in the atmosphere of 1950′s Italy - or rather, the version of it that our wealthy ex-pat characters enjoy
. Despite his personal demons, the Rome we see as Tom Ripley explores it is the elegant and sun-drenched city of his dreams.
3.
NEW YORK: THE WARRIORS (1979) A gang are forced to travel, mostly on foot, from the Bronx to Coney Island, through the territories of militant rivals. The city they traverse is rendered as a dystopian extension of the real-life problems of violence and urban decay in 1970′s New York City.
4. LOS ANGELES:
NIGHTCRAWLER (2014) As in fellow neo-noir
DRIVE (2011), nocturnal LA is a character in its own right, with ruthless cameraman Lou Bloom (Jake Gyllenhaal) prowling the streets in search of lucratively grisly footage.
5. LONDON: BLOWUP (1967) Michelangelo
Antonioni’s first film in English is a meditation on voyeurism and perception, and also an iconic portrait of Mod 1960′s London. Like his globetrotting
THE PASSENGER (1975), it makes for an unusual city film, due to its pervasive sense of solitude and emptiness.
6.
SHANGHAI: LUST CAUTION (2008) Ang Lee’s espionage thriller is set against a backdrop of colonial architecture within 1940′s Shanghai, as the city struggles against its Japanese occupiers.
7. CITY OF GOD, RIO: CITY OF GOD (2002) A visceral journey into the 1970’s slums of Rio de Janeiro, with a predominantly amateur cast that included residents of the City of God Favela itself.
8. SAIGON: THREE SEASONS (1999). A lyrical exploration of the past, present, and future of the Vietnamese capital, as characters struggle with the aftermath of war, and the onslaught of Westernisation and capitalism.
9.
PRAGUE: THE UNBEARABLE LIGHTNESS OF BEING (1988) A sexual, moral and political drama connects three individuals in this adaptation of Milan Kundera’s novel, set against the backdrop of socialist liberalisation in 1960′s Prague.
10.
LOS ANGELES:
CHINATOWN (1974) Roman Polanski paints a sun-soaked and beautiful (if conceptually bleak) picture of municipal corruption in 1930′s LA.
11. NEW YORK:
TAXI DRIVER (1976) Scorcese shot this film in New York City during a heatwave and a garbage strike. He has said that he sought to create an on-screen world that felt like a dream or a drug-induced reverie.
12. PARIS:
BREATHLESS (1960) The French capital stars alongside Jean Seberg and Jean Paul Belmondo in this heavily improvised New-Wave classic.
13. LOS ANGELES: LA CONFIDENTIAL (1997). Like Chinatown, this is a beautiful and visually pristine, but seedy, incarnation of retro-Los Angeles.
14. SAIGON:
THE LOVER (1992) Although it’s an underwhelming adaptation of the novel, this film makes the list because it does create an evocative and atmospheric rendering of 1920’s Saigon.
15.
ISTANBUL:
CLIMATES (2006) A sombre but beautifully filmed depiction of the end of a relationship, set against the vivid backdrops of summer in Kas and winter in Istanbul.
16. MEXICO CITY:
Y TU MAMA TAMBIEN (2001) Although it’s primarily a road movie, the opening and closing sections of this film take place in a socially restive Mexico City, and set the scene for many of the cultural and political themes explored throughout.
17. LOS ANGELES: HEAT (1995) Amongst the countless movies filmed in LA, this is one of a handful in which the city itself it is a central character. Al Pacino plays cat and mouse with Robert De Niro through a series of iconic urban locations.
19. HAVANA: BEFORE NIGHT FALLS (2000) Julian Schnabel ’s portrait of the exiled Cuban writer unfolds in a lovingly-rendered 1950′s Havana, during the Cuban Revolution.
20. COPENHAGEN: COPENHAGEN (2014) Despite the (intentionally) unlikeable protagonist, and the uncomfortable romantic pairing, this ultimately makes for a sweet and life-affirming visit to the title city.
‘Bonus: MIAMI’:
SCARFACE (1983) Few films have a more iconic association with this city, which itself becomes a central character, but after objections from Florida officials, who feared the antics of Tony Montana might be seen as typical of the population as a whole (!), the majority of the movie ended up being shot in LA.
(Photo: vanityfair via Pinterest)